高尔夫的秘密

★ 0.4 播放:51万 更新:2026-05-27
主演: 未知/

这部电影将自己分为两条时间线。2006年,艾达的论文基于二十年前发生在一个叫阿卡西亚的村庄的大屠杀。她的母亲塞西莉亚(Cecilia)参与了对大屠杀的实况调查,艾达(Ada)的调查揭示了她作为新人民军成员的历史。另一条时间线追溯了 Ka Felix 和 Ka Jimmy 的关系,这两个叛逆者坠入爱河,尽管该运动的法律禁止这样的配对艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

在线播放

剧情简介

这部电影将自己分为两条时间线。2006年,艾达的论文基于二十年前发生在一个叫阿卡西亚的村庄的大屠杀。她的母亲塞西莉亚(Cecilia)参与了对大屠杀的实况调查,艾达(Ada)的调查揭示了她作为新人民军成员的历史。另一条时间线追溯了 Ka Felix 和 Ka Jimmy 的关系,这两个叛逆者坠入爱河,尽管该运动的法律禁止这样的配对艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

导演精选

八月2025

  The history of the military operation "Bagration", which took place in August 1944.

后来的我们韩版

在开往家乡的客运上,恩浩(具教焕 饰)遇见了休学后下定决心要前往某处的正媛(文佳煐 饰),产生了一段不可思议的缘分。为彼此的梦想加油的两人,不知不觉地深入对方的生活,成为了一对恋人。一同欢笑、争吵、和解的两人,虽然拥有了世上最炽热的爱,但面对残酷的现实,两人最后仍选择分道扬镳。就这样过了10年,再次遇见彼此的瞬间,恩浩问了正媛一直很想问的问题“如果我们……”                                                                        影片改编自2018年刘若英执导的《后来的我们》。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster