1992女性宝鉴
素云和丈夫结婚四年一直无法怀孕，虽然贤良淑德，但还是受到了婆婆的冷艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。看着周围到处都是怀孕的女子，丈夫的心里也很不好过，不知到底是谁的问题。 素云的婆婆抱孙心切，一边埋怨一边开始了自己的盘算。趁着回乡探亲，素云的婆婆看到了亲戚的女儿，一个主意在她心中酝酿成形…… 婆婆归家，带了一个陌生的女子，素云…
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剧情简介
素云和丈夫结婚四年一直无法怀孕，虽然贤良淑德，但还是受到了婆婆的冷艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。看着周围到处都是怀孕的女子，丈夫的心里也很不好过，不知到底是谁的问题。 素云的婆婆抱孙心切，一边埋怨一边开始了自己的盘算。趁着回乡探亲，素云的婆婆看到了亲戚的女儿，一个主意在她心中酝酿成形…… 婆婆归家，带了一个陌生的女子，素云…
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温蒂为了救回被掳走的弟弟麦可，不惜踏入「邪恶彼得潘」的血腥炼狱。她在那里还遇见了被毒品腐蚀、形容枯槁的小叮当。温蒂将要面对的不仅仅是扭曲的童话，还有那令人窒息的恐怖真相。
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十五岁的加博，表面过着平凡简单的青少年生活，背后却隐藏着不可告人的秘密—-他恋上好友的弟弟，而弟弟只有八岁！他在网上论坛寻求建议，试图抑制恋童欲望，因而结识了恋少年经验丰富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方调查，加博终于不得不面对一场自我审问：他到底是受害人，还是施害者？改编自真实事件，来自德国的史蒂夫.巴赫大胆直面禁忌话题，以敏锐成熟的笔触，探问生活与社会规范怎样塑造了今时今日的我们。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.