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重返重生
米凯拉·麦克曼努斯,Stella Marcus,杰里米·S·霍尔姆,吉姆·卡明斯,泰勒·米斯亚克,丹德里·泰勒,Derick Alexander,希尔蒂·鲍温,Raphael Chestang,黛布拉·克里斯托弗森,Minita Gandhi,伦敦·加西亚,Clinton Lowe,Michael Manuel,雷米·奥尔蒂斯,丹·佩罗,Tamika Simpkins,戴维·特雷尔,格瑞思·范·迪恩,胡安·弗朗西斯科·维拉讲述一位名叫艾琳·凯利的母亲穿越到不同的平行宇宙，找到杀害她女儿的凶手，并一次又一次地把凶手干掉。当她被复仇的火焰吞噬时，她的人性也将变得岌岌可危。
暗黑新娘！
杰西·巴克利,克里斯蒂安·贝尔,彼得·萨斯加德,安妮特·贝宁,杰克·吉伦哈尔,佩内洛普·克鲁兹,约翰·马加罗,珍妮·柏林,路易斯·坎瑟米,马修·马希尔,朱莉安·浩夫,威廉·希尔,斯蒂芬妮·特洛亚克,马西尔·摩丹,马科·查卡,莉迪亚·凯莉,索菲娅·科,本·格林,伊莲·阿普鲁泽西,安东尼·贝里尼孤独的科学怪人弗兰肯斯坦（克里斯蒂安·贝尔 饰）来到了1930年代的芝加哥，恳请顶级科学家尤弗洛尼斯博士（安妮特·贝宁 饰）为他创造一位伴侣。两人成功复活了一名被谋杀的年轻女子，“新娘”（杰西·巴克利 饰）就此诞生。然而事态发展却远超两人想象：谋杀接踵而至，占有欲疯狂滋生，新娘能否挣脱“被创造”的命运？在暗黑混沌的逃亡路上，一场女性觉醒风暴开始席卷整个世界。
春之祭
Anessa Ramsey,Shanna Forrestall,AJ Bowen夜深人静之时，年轻女子瑞切尔（Anessa Ramsey 饰）和艾莉莎（Hannah Bryan 饰）突然遭到神秘之人的袭击和绑架。当她们清醒过来后，发现自己正被绑在一座谷仓中，戴着面具的恐怖男子为她们举行邪气逼人的仪式。另一方面，受债务困扰的男人本（AJ Bowen 饰）联合女友艾米（卡瑟琳·兰道夫 Katherine Randolph 饰）、弟弟汤米（安德鲁·布瑞兰 Andrew Breland 饰）以及陌生男人保罗（Sonny Marinelli 饰）策划绑架了富有商人瑞恩·海登（詹姆斯·巴兹 James Bartz 饰）的女儿，并索取高达两百万美元的赎金。 正当本和保罗众人为了赎金起整治的时候，死里逃生的瑞切尔突然出现，随之而来的还有残忍的春之祭杀人魔……
阴阳师2001
野村万斋,伊藤英明,今井绘理子,小泉今日子 Kyôko Koizumi,真田广之,夏川结衣,宝生舞,矢岛健一,石丸谦二郎,柄本明,岸部一德,萩原圣人公元794年，日本桓武天皇时期，京都长冈被其胞弟早良亲王怨灵诅咒，天灾人祸不断。桓武天皇被迫迁都平安京，由此开启四百年平安时代序幕。彼时权贵内部斗争激烈，人民生活疾苦，世间因此怨灵丛生，人、鬼与怪物屏息同栖。隶属于宫廷阴阳寮的阴阳师们，作为平衡天、地、人、鬼间矛盾的存在，自此活跃在历史舞台上，其中最为耀眼的便是身世成谜的安倍晴明（野村万斋 饰）。右近卫中将源博雅（伊藤英明 饰）受托拜访安倍晴明，被所目睹的奇异景象及晴明的个人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便从两人宿命相识，结下珍贵情谊开始。 宫廷内近来异事频发。左大臣藤原师辅之女诞下敦平亲王，婴儿降世却身负诅咒。晴明招来蜜虫（今井绘理子 饰）和神秘女子青音（小泉今日子 饰），与博雅一同化解恶咒，却反遭诬陷。原来一切皆是阴阳头道尊（真田广之 饰）所为。他利用左右大臣间矛盾与后妃间争宠频生事端，更欲召唤出150年前的最强怨灵早良亲王，将平安京彻底颠覆…… 影片根据梦枕貘《阴阳师》系列小说改编。
蝇变深渊
徐冬冬,娄淇,张德晖,季叶翠该片是一部融合科幻惊悚与人性拷问的电影。影片以虚构的西岸港为背景，讲述了新闻记者濮欣(徐冬冬饰演)在调查跨国企业赛尔斯集团的污染事件时，意外卷入一场由其父亲濮教授(张德晖饰演)所在的孤岛实验室引发的基因灾难。当实验创造出嗜血变异昆虫并失控后，集团为掩盖真相切断联系、销毁证据，使被困者陷入绝境。为寻找失联的父亲，濮欣与男友江海(娄淇试验)潜入死岛，在怪物横行、通讯断绝的险境中，逐步揭开实验背后的残酷阴谋。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.