爱在娱乐圈的日子
娱乐圈中的声色犬马灯红酒绿众所周知，当六个天真单纯的女孩想要在这个充满了诱惑与利益的世界里谋得各自的一席之位时，会发生怎样有趣又发人深省的故事呢？美琪（周海媚 饰）幸运地得到了富商的垂青，然而，在风光之后，竟然有着意想不到的结局在等待着艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。温馨（张慧仪 饰）嫌弃自己的身材不够火爆而做了整形手术，最终却落得竹篮打水一场空。小红（杨嘉玲 饰）无法走出曾经的阴影，成为了一出悲剧的女主角。丙嫂（孙佳君 饰）陷入了不伦之恋中无法自拔。阿如（朱茵 饰）和严秋（陈法蓉 饰）之间产生了超越了伦理道德的感情，她们又能否走到最后呢？六个女孩，六段故事，每一个人都将为自己的选择付出代价
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我能有个见证人吗
Keira Jang,吴珊卓,里斯·普雷斯利,Elmira Bashash,乔尔·欧莱特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特纳,派崔克·盖勒,Naika Toussaint,安德烈·安东尼,多米尼克·卢基·马泰尔,奥斯卡·查克,裘德·威尔逊,Cassandra Sawtell,特德拉·罗杰斯,Ally Battaggia,Kymo Van OersCan I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
意乱情迷
麦茜·理查森·塞勒斯,珊农·沃德华德,Rosaline Elbay,Kate Szekely,吉米·让-刘易斯,Benjamin Valenzuela,Brandi Huzzie,拉玛尔·亚瑟,Loren Swan,Kelley Kali,谢恩·玛姆帕米尔,凯西·福特·亚历山大,Sidnei Barboza,Harsh Milan《锯齿状心灵》讲述的是一个女人被昏迷和奇怪的幻觉所困扰，她发现自己被困在了一系列的时间循环中，这可能与她神秘的新女友有关。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
新的景色
黑崎煌代,远藤宪一,井川遥,木龙麻生,菊池亚希子,中山慎吾,吉冈睦雄,苏钰淳,服部树咲,石田莉子,荒生凛太郎,中村苍高野任职园境建筑师，规划涩谷宫下公园重建；露宿者被驱赶，让路予结合户外休憩与购物商场的新地标。为了工作牺牲家庭，大刀阔斧改造都市面貌，自己却家破人亡了。十年后，一盆蝴蝶兰令父子重遇，女儿已不再在乎长期缺席的父亲。重回故地，亲子关系能否重建？团冢唯我首部长片，善用建筑空间显现家庭创伤，静谧中蕴藏情感波动，再以破碎灯泡让记忆回魂。被离弃的世代游走于冷漠城市，重新审视家人之间的距离之余，亦察看一座城市于急速变形下残留的空洞。