昭和禁宫不为人知的故事

　　最近，城市里发生了可怕的杀人事件，一具被切割成6块的女尸的曝光和凶手的逍遥法外引起了社会的恐慌。作为休假的交换条件，搜查科研究员姜民浩（薛景求 饰）接下了这个棘手的案件。行事雷厉风行的他和推理天才闵瑞英（韩惠珍 饰）联手，调查取得了突飞猛进的进展，嫌疑人李圣浩（ 柳承范 饰）的名字渐渐浮出水面。　　李圣浩一经逮捕就对自己所犯的罪行供认不讳，可是姜民浩却发现事实并不是他所说的那么简单。就在这个节骨眼上，姜民浩的女儿突然失踪，他明白这绝对和李圣浩脱不了干系。李圣浩告诉姜民浩，若想要得知女儿的下落，就必须和他玩一个解谜的游戏——解开他留在尸体上的谜题。一场以生命为筹码的赌注开始了。

在一个与世隔绝的夏令营里，胆小又内向的12岁男孩摩根陷入了一场噩梦之中——曾经被当作传说的一个篝火故事竟变成了现实。摩根和他新结识的朋友们必须踏上一段危险重重的旅程，并揭开隐藏在表象之下的邪恶真相。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 街景地图PD秀仁带领团队，前往传闻诡异的杀木池水库补拍路段画面——此前素材中莫名出现了无法解释的人形。团队必须在当天完成重拍，可踏入水库区域后，怪事接连发生：镜头捕捉到无人的身影，失踪的前辈突然现身，水下传来若有似无的低语。夜幕降临，信号逐渐消失，成员们接连遭遇离奇状况，黑暗的水库深处，似乎有什么东西正循着水声，向他们缓缓靠近。