因为喜欢隔壁的美丽已婚女性
一天晚上，当他们三人喝了几杯酒后，他无意中听到伊琳娜在浴室里安慰自艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。于是，他引诱了这位孤独的已婚妇女......直到他们合二为一，升入天堂。
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数码宝贝大电影五：冒险者的战斗
野泽雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野爱,三石琴乃,小野健一,佐伯志,松尾银三,津久井教生,坂本千夏,小杉十郎太快乐的暑假开始了，启人（津村真琴 配音）为了扫墓来到了风光秀丽的冲绳，在海边，他和阿海（佐伯鹏 配音）一起救下了一位名为美波（三石琴乃 配音）的少女，后者遭到了数码兽的攻击，这些数码兽的目标，似乎是美波所携带的一台笔记本电脑，在电脑里究竟隐藏了怎样的秘密？让启人感到意外的是，美波的遇险催生了数码宝贝石狮兽（津久井教生 配音）的诞生，它的使命为何？ 启人发现，在风靡全球的电子宠物V-Pet背后，隐藏着一个惊人的秘密，贪婪邪恶的曼法斯兽企图通过虚拟的数码兽摧毁人类世界，实现它建立数码世界的野心。面对强大的对手，启人和朋友们该何去何从？
无主之人
伊利亚·伍德,卢克·柯比,阿莱卡萨·帕拉迪诺,罗伯特·帕特里克,W·厄尔·布朗,Gilbert Owuor,克里斯蒂安·克莱门松,雨果·阿姆斯特朗,尼卡恩·罗宾逊,威尔·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,汤姆·维图伊利亚·伍德将主演犯罪题材惊悚片[无主之人](No Man Of God，暂译)。Amber Sealey执导，C·罗伯特·嘉吉([险恶])操刀剧本。影片设定在一个单独的审讯室中，故事根据FBI心理分析师比尔·哈格迈尔(伍德饰)与连环杀手邦迪于1984年至1989年之间的对话文字摘录改编，影片将详细介绍邦迪在死囚牢房最后几年间，两人之间复杂的关系。
总统的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj人人都中头奖，难道人人都想中头奖？九十年代伊拉克经历军事及经济制裁，独裁者萨达姆无惧动乱，勒令全国为自己庆祝生日。九岁女孩「喜获头奖」成为学校代表，被迫接下为总统炮制生日蛋糕的国家级重任。然而通货膨胀、物资匮乏，鸡蛋面粉都是奢侈品，女孩带着宠物公鸡，从沼泽向城市出发搜罗食材，完成这项国家交给她的任务！首有伊拉克电影进军戛纳，编导借小女孩充满稚气却坚韧的目光，展现伊拉克从未被记录过的一面，献给在战乱下仍能找到爱与友谊的小孩。戛纳电影节金摄像机最佳首作。
黑天鹅1942
泰隆·鲍华,玛琳·奥哈拉,拉尔德·克雷加,托马斯·米切尔,乔治·桑德斯,安东尼·奎恩,乔治·祖科故事背景设定在16世纪的英国，海盗首领莫根船长（拉尔德·克雷加 Laird Cregar 饰）受到国王查理的特赦，并被任命为牙买加总督。一位年轻而勇敢、机智而英俊的年轻人沃林（泰隆·鲍华 Tyrone Power 饰）决定跟随莫根船长前往牙买加。然而，莫根过去的下属、狡猾而残忍的里奇船长（乔治·桑德斯 George Sanders 饰）却拒绝接受莫根的领导，继续在海上进行抢劫商船的行为。为了消灭海盗，沃林率领船队出海，在航行途中偶然与里奇的“黑天鹅号”，并和其他两艘船发生了遭遇战。面临险境，沃林不得不机智地假装前来投降并投靠里奇。通过巧妙周旋和激烈战斗，里奇最终受到了惩罚，他的“黑天鹅号”彻底被摧毁。与此同时，贵族小姐玛格丽特（玛琳·奥哈拉 Maureen O'Hara 饰）对沃林从厌恶逐渐转变为敬佩，最终产生了爱慕之情，展开了一场曲折而离奇的爱情故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
旅行的机器人
山寺宏一,林原惠美旅にはいつも出会いと別れがある。