玉焰

⭐ 3.1 播放:37万 2026-05-23

警方人员发现一具被挂在墙上血肉模糊的男性尸体,从他的穿着可知此人属有钱人家;探长在房间内仔细地逐一细看下,终于发现房内摆放着精致的细小纸盒,每一个盒内载着一小撮女人之物,而其中一个放着的是一张列满女人名字的纸条,;玉 ;是其中一个名字,由于名字是以中国字书写的,因此引起探长的注目,案件亦由此开始逐步揭开,终于发现  

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剧情提要

警方人员发现一具被挂在墙上血肉模糊的男性尸体,从他的穿着可知此人属有钱人家;探长在房间内仔细地逐一细看下,终于发现房内摆放着精致的细小纸盒,每一个盒内载着一小撮女人之物,而其中一个放着的是一张列满女人名字的纸条,;玉 ;是其中一个名字,由于名字是以中国字书写的,因此引起探长的注目,案件亦由此开始逐步揭开,终于发现  

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

月光里的男孩

影片讲述作家扎西因童年时一个关于狗的“秘密”愧疚多年,直到多年后重返故乡才意外得知真相,与孩童穿越时光的生长痛。