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惠英红,吴可熙,文淇,柯佳嬿,陈莎莉,丁强,刘尚谦,林志儒,王月,温贞菱,王伟六,陈珮骐,尹昭德,大久保麻梨子,巫书维,颜毓麟,刘越逖,傅子纯,陈武康,施名帅,秀兰玛雅,应朗丰,李铨复仇公主斯嘉丽
芦田爱菜,冈田将生,役所广司,市村正亲,吉田钢太郎,齐藤由贵,松重丰,山路和弘,柄本时生,青木崇高,染谷将太,白山乃爱,白石加代子透明人与蝇男
北原義郎,品川隆二,叶順子,毛利郁子,南部彰三,見明凡太朗午夜之子
最后一根稻草
杰瑞米·西斯托,杰西卡·贝尔金,格伦·古尔德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦尔斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen阿尔玛与狼
伊桑·恩布里,李丽君,马瑟·泽科尔,Alexandra Doke,杰雷米·哈里斯,Beth Malone,达娜·米利肯,Kevin Allison,Lukas Jann同类推荐
惊门
王子子,彭敬慈,陈芋米,佟月,王远达一个神秘的废弃工厂开始第一天的拍摄。当载着女主角朱莎、副导演、《电影最前沿》节目主持人一梦等人的大巴车到达工厂时，拍摄场地却空无一人，陆主任让大家在工厂内待命，自己则出去给大家买宵夜，等待期间，副导演却离奇死在了浴室 里... 为了查清楚真相，一梦提议大家再去浴室看一看，而录音师多宝、女主角朱莎、司机女儿甜甜则留在服化间，从浴室回来 之后，只见多宝，甜甜和朱莎却失踪了。 陆导迟迟未归、副导演的死，甜甜、朱莎的神秘失踪，带 出了三年前在工厂拍摄时的灵异事件。一连串离奇的事情依然继续.....然而真相却让大家出乎意料。
怪兽与女孩
艾伦·德鲁,Robert Paige,保罗·卢卡斯Scot想要从歹徒手中救出妹妹，却遭人陷害，被控谋杀，被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内，Scot以大猩猩的身躯复活，开始他的复仇...
安眠实验
Krit Jeerapattananuwong,Warisara Jitpreedasakul,Philaiwan Khamphirathat,凯·乐希迪柴,汪撒孔·拉萨米塔特,帕尼莎拉·里库苏拉康,Supanaree Sutavijitvong,卜密巴特·塔沃斯理,Dujdao Vadhanapakorn,Kim WaddoupFour insomniac med school students are lured into a neuroscience experiment that spirals out of control and must find a way out before it's too late.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
15年 15 Jahre
汉娜·赫茨施普龙珍妮曾被誉为“钢琴天才”，但她因冤案而被判入狱15年。当她遇到有歌唱天赋的叙利亚战争难民奥马尔时，她同意在电视音乐选秀节目中为他弹钢琴伴奏。在她的牢狱生活期间，她的初恋弗莱舍成为了一名流行歌星，并担任了音乐选秀比赛的评委，而珍妮和奥马尔则是其中很有望胜出的选手之一。在狱中度过这些痛苦的岁月后，现在是珍妮做出选择的时刻：是报复，还是幸福和未来？