羽咲みはる Miharu7 Dramatic Travel
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan羽咲みはる Miharu7 Dramatic Travel
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变异双头蛇
陈堃,莫佳荻,韩阳,武雨晴,王黎林宇与三名女孩遭遇空难，不幸流落至一座荒无人烟的孤岛，刚上岸便遭遇一头凶猛的变异双头蛇袭击。危急时刻，容貌靓丽、身手矫健的当地女土著颂雅及时出现，凭借对岛屿环境的熟悉，成功引开双头蛇，将四人救至一处隐蔽山洞。在艰难的孤岛求生中，林宇作为唯一的男性主动守护众人，朝夕相处间，他与四名女孩渐生情愫，陷入了两难的感情纠葛。好景不长，思瑶惨遭双头蛇伏击吞噬，若琳也不幸遇害。悲痛之下，林宇、婉晴与颂雅联手，借助颂雅祖辈流传的经验，摸清毒蛇怕强光和特定植物汁液的弱点，巧用简易工具设下陷阱，最终成功消灭双头蛇，林宇也找到情感的归宿。
乱马12：中国昆仑大决战！破坏计划之激斗篇！！
山口胜平,林原惠美,日高范子,盐泽兼人,玉川纱己子,大林隆介,绪方贤一,高山南,井上喜久子,铃置洋孝,井上和彦,鹤弘美,山田荣子,松井菜樱子,山寺宏一,佐久间玲,关俊彦,岛津冴子,吉村佣,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子又是一个平静的日子，内裤爱好者八宝斋（永井一郎 饰）四面出击，惹得乱马（山口勝平 饰）、小茜、良牙（山寺宏一 饰）、珊璞（佐久間レイ 饰）等人纷纷加入进来，在镇上惹出巨大的骚动。正当众人闹得不可开交之时，一头裹挟着黑色杀气的大象突然袭来。它和美丽的主人向八宝斋发起攻击。与此同时，天空阴云密布，一艘巨船出现在空中。他们是来自中国内地寝昆仑的七福道神，这群神秘之人不仅抢走骑象少女带来的奥义经卷，还虏走了小茜。乱马一众不堪就范，决定启程前往中国……本片根据高桥留美子的漫画《乱马1/2》改编，系该动画的剧场版第一部。
火中金
张桐,侯天来,李易祥八路军教导员王金执行锄奸任务失败又遭叛徒诬陷，被组织审查。王金凭着对党的忠诚和坚强的意志率领这些身份复杂、性格迥异的人最终组成了一支神秘的队伍，出生入死、历经艰险，突破重重险境，重新汇入抗日洪流，最终完成了锄奸任务的故事。
火凤凰1978
姜大卫 (David Chiang),上官灵凤 (Lingfeng Shangguan),岳华 (Hua Yueh)叙述日本人潜伏中国武馆，化装红衣蒙面人，屡次暗杀立志北伐的爱国志士，后来被揭穿的悬疑武打故事。这片子真可以当成侦破片来看，武馆的人一个一个被杀，凶手究竟是谁...
我能有个见证人吗
Keira Jang,吴珊卓,里斯·普雷斯利,Elmira Bashash,乔尔·欧莱特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特纳,派崔克·盖勒,Naika Toussaint,安德烈·安东尼,多米尼克·卢基·马泰尔,奥斯卡·查克,裘德·威尔逊,Cassandra Sawtell,特德拉·罗杰斯,Ally Battaggia,Kymo Van OersCan I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.