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剧情简介
影片讲述拥有一双明眸的朱芷欣（吴千语 饰），却有一对失明父母：甘笑红（惠英红 饰）、朱国强（吴岱融 饰）。乖巧懂事的她从小便成为父母的“眼睛”，为父母描绘世间的形状与颜色。随着女孩青春期的到来，热爱绘画并天赋异禀的她渴望到国外攻读艺术，观念的冲突、频繁的争吵使家庭气氛降到了冰点。在机会来临之际，芷欣将会在家庭和梦想之间作何选择？
同类好片
电影版 即便如此，我还是想和妻子做
风间俊介,山野仁,岛田铁太,吉本实忧,熊谷真实,近藤芳正,内田慈凶兆1976
格利高里·派克,丽·莱米克,大卫·沃纳,比莉·怀特劳,哈维·史蒂芬斯,帕特里克·特罗,马丁·本森,罗伯特·里耶蒂,汤米·杜根,约翰·斯特赖德,安东尼·尼科尔斯,霍利·帕兰切,罗伊·博伊德,弗蕾达·道伊,希拉·雷诺三十一
伊丽莎白·戴利,雪莉·穆恩·赞比,丹尼尔·洛巴克,劳伦斯·希尔顿-雅各布斯你和我的5分钟
沈炫书,玄宇锡,孔敏晶,李东辉拼桌
王传君,江疏影,李雪琴,郑云龙,傅首尔,刘佳,王彩平,杜家毅,吴冕,白举纲,老四,田小洁,罗海琼,齐溪,许龄月,葵葵分秒之间
瑞切尔·布莱克,苏茜·波特,文斯·科洛斯莫,马丁·萨克斯,苏珊·普赖尔,megan dale,丽莎·凯,greta carew-johns导演精选
遇见世界
27岁的由嘉里沉迷于拟人化烧肉漫画《肉即吾命》，却始终无法接纳真实的自己。面对朋友们纷纷步入婚姻与家庭，她感到焦虑与孤独，尝试通过相亲改变现状，却屡遭不顺，醉倒在歌舞伎町街头。此时，她被陪酒女莱伊救起，两人由此展开一段微妙的关系。随后，由嘉里又结识了已婚男公关朝日，三人各自背负着不同的生活压力，却在彼此陪伴中逐渐找到归属与勇气。 影片改编自金原瞳撰写的同名小说。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
银瀑
A small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.