我的爱情遗忘在秋天
加布里埃尔Gabriel(马蒂厄暂无内容阿马尔里克饰)徘徊在两个女人之间,前任女友热妮Jenny(让娜巴利巴尔饰)以及现任女友安娜Anne暂无内容(维尔日妮勒杜瓦扬饰),热妮成熟性感、安娜年轻迷人,前者代表美好的旧日时光,后者热情却任性,加布里埃尔犹豫两者之间无法抉择。除了爱情,工作同样使他困惑,加布里埃尔在出版社担任编辑,却又怀念以前自由创作的日子。这一切的矛盾直到罹患绝症的好友阿德里安Adrien(弗朗索瓦克吕泽饰)忽然去世,加布里埃尔重新审视阿德里安短暂的人生时才幡然醒悟。阿德里安出版过四部小说,却在死后才获得文坛肯定,感情方面也同样徘徊在新旧两任女友的爱情边缘,终身寻觅至爱却不料猝死。阿德里安短暂的人生、以及生命中不可挽回的遗憾都令加布里埃尔震惊,他重新看待自己的人生,在一切混沌中找到真正的出口。
剧情简介
加布里埃尔Gabriel(马蒂厄暂无内容阿马尔里克饰)徘徊在两个女人之间,前任女友热妮Jenny(让娜巴利巴尔饰)以及现任女友安娜Anne暂无内容(维尔日妮勒杜瓦扬饰),热妮成熟性感、安娜年轻迷人,前者代表美好的旧日时光,后者热情却任性,加布里埃尔犹豫两者之间无法抉择。除了爱情,工作同样使他困惑,加布里埃尔在出版社担任编辑,却又怀念以前自由创作的日子。这一切的矛盾直到罹患绝症的好友阿德里安Adrien(弗朗索瓦克吕泽饰)忽然去世,加布里埃尔重新审视阿德里安短暂的人生时才幡然醒悟。阿德里安出版过四部小说,却在死后才获得文坛肯定,感情方面也同样徘徊在新旧两任女友的爱情边缘,终身寻觅至爱却不料猝死。阿德里安短暂的人生、以及生命中不可挽回的遗憾都令加布里埃尔震惊,他重新看待自己的人生,在一切混沌中找到真正的出口。
为你推荐
僵尸参将2
张峻鸣,恩璟,钟雷,常元佳,廖茉汐清末,记者黛雪揭发妖道利用僵尸贩运少女。幕后黑手是明朝后裔七公主,她借贩卖少女筹复国经费,并将哈布参将炼为僵尸。暴露后,七公主放出吸血鬼威廉,哈布恢复意识迎战。危急时师兄石敢当赶到,众人合力铲除七公主与威廉。
半身死灵2
岩田小百合,仲村美羽,长宗我部阳子,松岛初音,真知里沙,山本彩乃,朝仓蜜柑,安藤成子,水木薫,川上洋一郎,大岛优子经历了最可怕的一段过去,可奈(大岛优子 饰)已经精神接近崩溃,残酷命运的安排,让她最终也无法逃脱半身死灵“嗒卡嗒卡”的猎杀。路过事故现场的水谷菜月和中岛玲子是就读同一所高中同一班级的好友,她们的学校即将举行文化祭。担任文化祭委员的玲子无意中触怒了班内小集团的头头刀根绘梨香,由此遭受了无休无止的孤立和欺凌。菜月看在眼里,却不敢组织,只能随波逐流。终于有一天,再也无法忍受的玲子将希望寄托在半身死灵身上,她将与绘梨香亲近的同学相继骗到人行天桥,目睹她们被猎杀的残忍一幕。 菜月终于发现了好友的秘密,她尝试阻止,并且了解到半身死灵的背景和不为人知的过去,可是为时已晚……
过家家2026
成龙,彭昱畅,张佳宁,潘斌龙,李萍,牛犇,刘敏涛,冯兵,李宗恒,芮丹尼,黄才伦,老四,黄炎,韩栋,张国庆,刘頔,刘洋,陈昊明,那家威,杨帆,永辰,李洪权,胡笑源,傅晓娜,韩沐霏,李太言,朱籼籼远离家乡的租客钟不凡(彭昱畅 饰)被老房东任爹(成龙 饰)误识成离家多年的儿子,囊中羞涩的钟不凡不得不与独自漂泊的租客苏晓月 (张佳宁 饰)、斜杠中年房屋中介贾爷 (潘斌龙 饰)、对任爹关怀备至的邻居金珍姑 (李萍 饰)相聚在同一屋檐下,不是一家人,硬进一家门。当钟不凡被任爹不定时发作的糊涂折磨得死去活来时,却发现了老人深藏多年的秘密……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
猎杀游戏
格伦·鲍威尔,乔什·布洛林,迈克尔·塞拉,科尔曼·多明戈,凯蒂·M·奥布莱恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大卫·札亚斯,杰米·劳森,艾米莉亚·琼斯,卡尔·格洛斯曼,丹尼尔·埃兹拉,李·查尔斯,桑德拉·迪金森,乔治·卡罗尔,索菲·西蒙特,奥妮克·阿德莉,乔伊·安沙,布兰登·伯克在近未来的反乌托邦社会,电视真人秀《过关斩将》(The Running Man)以血腥的生存竞赛霸占收视榜首。参赛者被称为“跑者”(Runners),必须在职业杀手的追猎下存活30天,一举一动皆被实时直播给嗜血的公众观众;每多活一天,便能累积更高额奖金。 工人阶级的本·理查兹(格伦·鲍威尔 饰)为拯救重病女儿孤注一掷,被节目魅力十足却冷酷无情的制作人丹·基利安(乔什·布洛林 饰)说服,以“最后希望”的身份踏入这场死亡游戏。 然而,本的叛逆、求生本能与坚韧意志,竟让他意外成为全民追捧的偶像——同时也成了整个体制的致命威胁。 随着收视率飙升至巅峰,危险指数同步暴涨。本不仅要智胜步步紧逼的猎人,更需对抗整个国度对他“惨败”的疯狂期待。 影片改编自史蒂芬·金的同名小说。
奇谋妙计五福星
洪金宝,吴耀汉,冯淬帆,岑建勋,秦祥林,钟楚红,成龙,叶童,林正英,夏文汐,太保,元彪,李赛凤,午马狱中5个素不相识的人成了好兄弟——五福星。茶壶(洪金宝 饰)、死气喉(吴耀汉 饰)、卷毛积(岑建勋 饰)、凡士林(秦祥林 饰)和鲁奇(冯淬帆 饰)五人皆因小偷小摸或跑龙套成了冤大头,他们决心出狱后重新做人,光明正大挣钱。五人同一天出狱了,出狱后他们合股成立了一间清洁公司 ,专门帮公司或家居进行清洁。 一天,黑帮在交易制贩假炒的电版时,被当地一个愣警察撞见了。慌乱之下,他们将电版藏进了五福星的清洁车的清洁箱内。毫不知情的五福星就这样又无端卷入了江湖是非中:一方面,警察怀疑他们是黑帮同伙,在四处通缉他们;另一方面,黑帮也在追寻他们,想杀人灭口取回电版。五福星在进退两难的境地如何运用他们的奇谋妙计脱险?
夺命网红2
卡桑德拉·诺德,乔治娜·坎贝尔,丽莎·德拉马尔,乔纳森·怀特赛尔,维罗妮卡·隆,迪伦·普莱费尔在法国南部,一位年轻女性对谋杀和身份盗窃的令人毛骨悚然的痴迷将她的生活卷入了混乱之中。