鴨王.The Gigolo（蓝光高清国语中字

　　潇洒是一个船员，整天在海上漂泊，一去就是几个月，他的妈妈和小妹阿珍都很担心他。一天，潇洒回到家，妹妹非常惊喜，可是他的妈妈并不开心，觉得他没有出息。潇洒很是委屈，于是借酒消愁。阿珍和她的妈妈靠开小店为生，每天，早晨都有很多出租司机来照顾她们的生意，其中有一位司机阿光对阿珍有意思，经常来帮助她们。一天，政府通知他们，房子半年后要撤，但是他们一时又拿不出钱去买新的房子，为了筹钱，于是一家人在阿光的帮助……

 故事围绕匈牙利出生的犹太建筑师拉斯洛·托斯与妻子埃尔兹贝特展开。他们在二战后逃离欧洲，前往美国重启他们的事业，并见证了现代美国的诞生。然而他们的生活被一名神秘而富有的客户改变了。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

女将木兰卸甲归乡，惊见母亡父死、弟被掳走。她深入黑矿救弟后，却目睹其弟惨死恶吏之手。在追查中，她逐步揭开雍州官商勾结的黑幕：恶霸刘焕私铸假币、残害百姓；州官嵇世勋表面赈灾，实则借军功之名盘剥乡里、杀良冒功。木兰孤身复仇，手刃刘焕；更识破嵇世勋伪善的面具，亦割其耳并押送天子处置，为民除害。最终她拜别父母家人，独自前行，誓将星星之火带到更多地方，点亮人们心中的正义之火。