寻人
远在故乡函馆的母亲美月（十朱幸代饰）已是癌症晚期，去日无多。在东京打拼的女儿杉田李惠（夏川结衣饰）刚好遭遇感情变故，为了排遣失落的心情，也为了陪伴母亲度过最后的时光，李惠启程返回阔别已久的故乡。某天，母亲拜托李惠寻找年轻时代的恋人藤一郎（满岛真之介饰）。50年前，年轻的美月（志田未来饰）邂逅藤一郎，在交往一段时间后，藤一郎突然从美月的生活中消失。此去经年，这段无疾而终的恋情始终盘桓美月心间，在离开人世之前，她无论如何也想知道藤一郎的下落和消失的原因。李惠在四处走访时却发现，藤一郎消失的背后藏着鲜少有人知晓的真相…… 本片根据谷村志穗的同名原著改编艾旦影视
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触碰我
帕姬·布鲁斯特,奥利维亚·泰勒·达德利,卢·泰勒·普奇一对互相捆绑的挚友，在生活崩塌之际，遇见了自称能治愈一切创伤的神秘男子布莱恩。他的触碰如毒品般令人上瘾，瞬间抚平焦虑与抑郁，却在温柔面具下藏着外星掠食者的獠牙。当两人受邀前往他的偏远庄园，这场“疗愈之旅”彻底失控：触手、血案、精神操控，一场以爱为名的寄生，正在吞噬他们的灵魂与世界。
单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.
两个心脏
金宣儿,马东锡,李清娥,郑仁基,朴孝朱,申正根改编自同名网络连载漫画，由原作漫画作者郑严植亲执导筒拍摄。该片讲述了被连环杀人犯夺去家人的女子以自己的脏器作为担保展开报复行动的故事。
吉时已到2026
圆子,无恙,南宫承,南宫宇,单贰叁,啵啵,灵川,花花,谢居海,吴国庆无公司，无投资，无AI，一部由爱好者手搓的原创中恐无限流大电影，融合昆曲非遗文化。欢迎玩家进入《牡丹亭·喜宴》副本。
疯狂喜剧人
王一,童苡萱,盖雨嘉青年王二怀揣电影梦屡遭拒绝，女友也失望离去。他带着记录村民故事的笔记本回到家乡，用真诚打动乡亲们凑成草台班子，拍摄属于他们自己故事。面对城市资本的诱惑，他选择守护村里的根。最终电影上映，他与支持他的小梅开起喜饼店，把平凡日子过成了真实的甜。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster