爱情的答案
这部迷人的女同志影片涉及了日常生活中爱、性和关系间的复杂性。影片在西雅图同志电影节上获奖，用现实主义的风格记录下当今伦敦的女同志生活情况。 当爱情走到尽头时我们总是会开始质疑生活中的每一件事情，甚至是生活本身的意义。爱情的答案就是这样一个关于疑惑的人的故事。这是喜剧演员丽莎葛妮克首部自编自导自演的影片，她在片中饰演玛丽娜，是一个在主流社会外摸索前行的女子；她与女友萝米的分手加速她陷入喜剧式自我解构的过程；同时，她藉由穿越伦敦的自行车旅程上所遇到的朋友们、前女友们、和陌生人们也带出了种种对于人生的想法和答案。
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利刃之刀锋战士
魏小欢,张博楠,马畅,刘冰造孽
斯蒂凡尼·埃斯特斯,扎克·沃德,汤姆·格林,莎侬·多赫提,里昂·拉瑟姆,苏菲·迪伊,费莉莎·罗斯,Kevin Porter,基思·雅各,John Murray,James Cullen Bressack,托马斯·唐尼靶场
凯莉·康奈尔,史蒂芬妮·皮尔森,罗德·埃尔南德斯,安东尼·科洛,阿莱克萨·伊姆斯,杰森·托比亚斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence留存的爱
莎加·加达斯多蒂尔,斯瓦利尔·古德纳松,伊达·梅金·赫林斯多蒂尔,英格瓦·埃盖特·西古德松,安德斯·莫索林,卡特拉·M·索尔盖尔斯多蒂尔,哈德尔多尔·拉克斯内斯·哈德尔多尔松,克里斯廷·古德蒙德松,格里穆·赫利尼森,索吉尔斯·赫林松大话修仙
孙槐志岩浆毒蛛
斯蒂夫·古根伯格,尼亚·佩雷斯,帕特里克·瑞纳,莱斯利·伊斯特布鲁克,丹尼·伍德伯恩,拉尔夫·加曼,乔恩·马克,阿诺德·陈,迈克尔·温斯洛,马里昂·拉姆塞,弗兰克·鲍沃斯,本杰明·马卡比,Zac Goodspeed同类推荐
奇幻之家
赵文琪,李琦,斯琴高娃,颜勤,徐日东升,宋祉璇,来喜,天赐,张明明,孟繁淼,马国芯,吴一熳,徐日光耀,张韶洁,赵溦,宋牧晨,王庆峰,李时雨,孙悦一支家庭乐队，其中心是热爱唱歌的年轻人张寓哲（徐日东升 饰），他与父亲张皓（李琦 饰）爷爷张宏民（颜勤 饰）一同准备参加家庭才艺大赛。然而，一场意外的奇怪风暴却改变了一切，在前往济南的比赛途中，他们遭遇了闪电雷击，引发了一次离奇的身体互换。这场突如其来的变化将他们卷入了一系列惊险和尴尬的境地，需要他们适应对方的生活和角色。与此同时，单身母亲李芳玲（赵文琪 饰）和她的女儿李蓝蓝（宋祉璇 饰）也在前往同一家庭乐队大赛。两个家庭在奇怪的巧合下相遇，他们决定将这个突如其来的情况变为机遇，临时合并成一个全新的家庭乐队。这个组合的形成不仅是音乐的融合，更是情感、人际关系和亲情的交织。
地下世界
乔治·班克罗夫特,艾弗琳·布伦特,克里夫·布洛克,弗莱德·科勒,海伦·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero依据1922年的凶杀案改编，描写贩卖私酒的匪帮和警方角力的故事。影史第一次以盗匪当主角，运用背面打光和烟雾，颇具艺术风格，广受欢迎，也预示40年代黑色电影的来临。
从前有位国王
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等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑天鹅1942
泰隆·鲍华,玛琳·奥哈拉,拉尔德·克雷加,托马斯·米切尔,乔治·桑德斯,安东尼·奎恩,乔治·祖科故事背景设定在16世纪的英国，海盗首领莫根船长（拉尔德·克雷加 Laird Cregar 饰）受到国王查理的特赦，并被任命为牙买加总督。一位年轻而勇敢、机智而英俊的年轻人沃林（泰隆·鲍华 Tyrone Power 饰）决定跟随莫根船长前往牙买加。然而，莫根过去的下属、狡猾而残忍的里奇船长（乔治·桑德斯 George Sanders 饰）却拒绝接受莫根的领导，继续在海上进行抢劫商船的行为。为了消灭海盗，沃林率领船队出海，在航行途中偶然与里奇的“黑天鹅号”，并和其他两艘船发生了遭遇战。面临险境，沃林不得不机智地假装前来投降并投靠里奇。通过巧妙周旋和激烈战斗，里奇最终受到了惩罚，他的“黑天鹅号”彻底被摧毁。与此同时，贵族小姐玛格丽特（玛琳·奥哈拉 Maureen O'Hara 饰）对沃林从厌恶逐渐转变为敬佩，最终产生了爱慕之情，展开了一场曲折而离奇的爱情故事。