剧情简介
謎めいた洋館を舞台に吸血鬼との初恋を描いたエロスドラマ。サマースクールで高原の寄宿舎に滞在している女子校生・明日香は、少し離れた場所にあった洋館に迷い込む。明日香は洋館で暮らす美少女・はるかと出会い、次第に心を通わせていくが…。
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凶兆1976
格利高里·派克,丽·莱米克,大卫·沃纳,比莉·怀特劳,哈维·史蒂芬斯,帕特里克·特罗,马丁·本森,罗伯特·里耶蒂,汤米·杜根,约翰·斯特赖德,安东尼·尼科尔斯,霍利·帕兰切,罗伊·博伊德,弗蕾达·道伊,希拉·雷诺故事发生在1966年6月6日的上午6时，在这样一个不吉利的时刻，美国大使罗伯特（格利高里·派克 Gregory Peck 饰）领养了一个男孩并取名戴米（哈维·史蒂芬斯 Harvey Stephens 饰）。随着时间的推移，戴米渐渐长大，一些奇怪事件的接连发生预示着厄运敲响了罗伯特的家门。戴米的保姆莫名自杀后，一个神秘的女人贝洛克（比莉·怀特劳 Billie Whitelaw 饰）毛遂自荐留在了戴米的身边。之后，神父博南（帕特里克·斯偌顿 Patrick Troughton 饰）找到了罗伯特，他告诉罗伯特，戴米是撒旦的孩子，戴米会不择手段完成统治世界的野心。对于神父的话，罗伯特半信半疑，直到博南神父的死讯传来，罗伯特才意识到，事态的发展是多么的糟糕。
驱魔龙族马小玲
黄宗泽,吴千语,蔡洁,吕良伟,刘心悠,廖子妤,黄文慧,朱栢康,吴启洋,黄梓乐,万绮雯,苏丽珊,郭柏妍驱魔龙族马氏家族传人马小玲（吴千语 饰），肩负着除邪惩恶的家族使命。而二流侦探况天佑（黄宗泽 饰），则凭借奇特能力屡破奇案。但实际上他一直在掩饰着不死不灭疯狂噬血的“血族”身份，本来相安无事的日子，被一道“暗影”打破，两人在调查一起暗影袭击的事件中相遇，出生入死的瞬间，百年恩怨所结下的宿命之锁，似乎已悄然解开……
人工情报
赵寅成,朴正民,朴解浚,申世景韩国国情院特工赵科长，奉命追查跨国犯罪集团，循着牺牲情报员的线索前往俄罗斯符拉迪沃斯托克，意外与朝鲜特工朴健狭路相逢。两人围绕核心情报源蔡善花展开博弈，却同时被各自国家抛弃，被迫在忠诚、背叛与生死之间，联手揭开边境谍战的惊天黑幕。
海底两百里
沃尔特·皮金,琼·芳登,芭芭拉·伊登,彼得·洛,罗伯特·斯特灵美国海军上校尼尔逊（沃尔特皮金饰）领导潜艇海景号在北极下探测时，地球突生危机，大气层被一股大火燃烧，令地球极速升温，地球上干旱无雨，顿诚人间炼狱。科学家主张纷歧，尼尔逊决定由海景号发射核子飞弹，让其在大气层外爆炸以期熄灭大火，令地球降温。为求能够快速解决这个问题，尼尔逊毅然由船员自愿选择是留在船上还是继续前进，但是在全世界都没有办法的情况下，只有听命于尼尔逊的这个计划了……
血战沙漠
迈克尔·C·威廉姆斯,乔·胡尔特拉斯,杰夫·普雷韦特,瓦内莎·约翰逊,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir2001年11月，阿富汗加兹尼省。一支来自美国的特种部队小分队与CIA探员本杰明·凯恩斯（乔纳斯·鲍尔 Jonas Ball 饰）在此碰头，他们要在当地寻找一个名叫莫罕默德•阿班的男人。在线人阿布尔（Chems-Eddine Zinoune 饰）的引导下，他们来到据说莫罕默德藏身的山区。这里流传着恐怖的传说，在半个多世纪前英国就曾有一支上万人的部队在此地凭空消失。从特种队员踏入这片陌生领域的那一刻起，恐怖离奇的事件便如影随形。队员们接连失踪，他们仿佛走入一条通往黑暗世界的不归之路…… 本片荣获2008年纽约恐怖电影节观众奖最佳摄影奖、2008年墨西哥圣塔菲电影节Milagro奖最佳摄影奖。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
春苗
李秀明,高宝成,达式常,林彬,白穆,于飞,李保罗,赵抒音,于元奇故事发生在文革前夕的1965年。妇女队长春苗（李秀明 饰）看不惯医疗卫生大权把持在有资产阶级思想意识的人手中，她主动请缨到公社卫生院学习，以期学成回村为贫下中农服务。她不顾院长杜文杰（白穆 饰）和医生钱济仁（冯奇 饰）的刁难排挤，在方明（达式常 饰）的帮助下，她刻苦钻研专业知识，但杜与钱的所做所为还是让她愤然离开了医院。春苗回村后，在党支部的支持下，她在村里的卫生室做了一名赤脚医生。1966年，文革开始后，杜文杰出于不可告人的目的，在公社办起赤脚医生培训班，春苗和其它村的赤脚医生揭穿了杜文杰的阴谋，杜脑羞成怒，暗中下毒谋害水昌伯（高宝成 饰），并嫁祸春苗，春苗识破了杜的诡计......