　　东北小镇，白事先生张英豪和卖狐皮的王元顺意气相投。但背地里王元顺却与张英豪的媳妇李文红有染。李文红怀上了王元顺的孩子，王元顺决定杀死张英豪。然而他雇佣来的杀手竟屡屡失手。王元顺杀人不成反被杀手讹钱。无奈之下，他开始挑拨杀手们的关系……一年后，一具尸体惊现废井。警方确定王元顺有重大作案嫌疑。可王元顺却已离奇失踪，仿佛人间蒸发……

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

欲海潮3

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