疏通下水道的水管工大叔
这是一个年轻女人午睡后想找机会回丈母娘家，女婿伸出舌头想咬她一口的故艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。丈母娘有情人，却拗不过女婿，两人发生了关系，但最终还是被情人发现，女婿趁机觊觎丈母娘的妻子......
即刻观影
剧情赏析
编辑推荐
悭钱家族
杨千嬅,陈奕迅,郑裕玲,曾志伟,黎耀祥,何超仪典型都市女性Diana（郑裕玲 饰）有着骄人的事业成绩，也积极经营着自己的爱情。可是香港经济不景气，她与同公司的小职员韦大汉（曾志伟 饰）都在了裁员的名单上。韦大汉早年妻子因为好赌离家出走，丢下了女儿千华（杨千嬅 饰）及小儿子万华需要供养。他向儿女隐瞒自己已经被解雇的事实，可是Diana的出现让千华及弟弟都知道了爸爸的真实情况。原来Diana的出现是想跟他们参加一个家庭制的游戏，只有胜出游戏，电视台便会原价收购他们的负资产业。Diana是一个自私冷酷的人，在游戏的过程中，被大汉付出在儿女身上的感情而改变了她。千华也在游戏中与导演（陈奕迅 饰）产生了感情。游戏最终由他们胜出，可是千华亲生母亲的出现使局面彻底改变了……
谍影行动
加里·奥德曼,科林·费尔斯,汤姆·哈迪,约翰·赫特,托比·琼斯,马克·斯特朗,本尼迪克特·康伯巴奇,塞伦·希德,大卫·丹席克冷战时，全球两大特工组织——俄罗斯“中心”与英国“圆场”明争暗斗。特工遇害，高层震怒，责成“圆场”挖出“地鼠”。怀疑对象共有5人，即圆场上任“老总”命名的锅匠，裁缝，士兵，穷人，乞丐。其中，金盆洗手的“乞丐”乔治·史迈利(加里·奥德曼 Gary Oldman 饰)本来有重大嫌疑。某日，行动组-剥头皮组头目的彼得·吉勒姆(本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰)与英国内阁办公室谍报总监拉康排除了史迈利的嫌疑，令其重新出山，负责挖出“地鼠”。于是，史迈利开始分别走访故人，调查“圆场”老大阿勒莱恩，裁缝-比尔·海顿(科林·费斯 Colin Firth 饰)，士兵-掌管东欧事务的资深间谍罗埃·布兰德，穷人-后勤部门点路灯组组长托比·伊斯特哈斯。一时间，圆场疑云密布，人人自危，究竟谁才是“地鼠”…… 本片本片根据约翰·勒卡雷的同名小说改编。片名来自英国民间的“鹅妈妈童谣集”。
哆啦A梦：新·大雄的海底鬼岩城
水田山葵,大原惠美,嘉数由美,木村昴,关智一,千叶翔也,广桥凉,平爱梨,平子祐希,酒井健太『哆啦A梦』2026年新作电影『哆啦A梦 新·大雄的海底鬼岩城』正式公布描绘哆啦A梦与大雄一行人在海底世界展开的全新大冒险1983年的《大雄的海底鬼岩城》时隔40多年后焕然新生监督由首次执导《电影哆啦A梦》系列的矢嶋哲生担任
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
分享镇
达科塔·约翰逊,阿德里娅·阿霍纳,凯尔·马文,迈克尔·安盖洛·科维诺,西蒙·韦伯斯特,查理·吉尔莱斯皮尔,大卫·卡斯塔尼达,O·T·法格本,娜赫玛·里琪,蒂龙·本斯金,尼可拉斯·博朗,莱奥·亨尼利,罗宾·吉伦,利蒂希娅·布鲁克斯,泰勒·豪尔,艾米丽·欧康纳,卢克·麦克菲尔,让-克劳德·莫莱斯,贾·旁,杰西卡·马图琳,斯蒂芬·阿德科鲁,尼古拉斯·波舍尔在阿什莉提出离婚后，凯里向好友朱莉和保罗寻求慰藉，却发现这对表面幸福的夫妻实则奉行开放式婚姻。但当凯里逾越界限时，所有人的感情生活都陷入了混乱漩涡。
无形的本质
Laura Brandão,Serena,Larissa Mauro,Camila Márdila,Aline Marta Maia暑假将至，十岁的格洛丽亚陪同身为护士的母亲安东尼娅去医院上班。格洛丽亚对医院早已熟悉，经常独自探索。有一天，她遇到了同样十岁的索菲亚。索菲亚来医院是因为她的祖母：比萨·弗朗西斯卡，一位患有阿尔茨海默症的精神治疗师，因家中发生意外而住院。索菲亚和母亲西蒙娜对比萨的下一步安排意见不一。西蒙娜坚持认为她应该暂时留在医院；索菲亚则渴望将祖母送回乡下的家中。格洛丽亚和索菲亚梦想着离开医院，而她们的母亲——都是单亲妈妈，则与她们建立了信任和相互支持的纽带。死亡与重生的循环对格洛丽亚、索菲亚、安东尼娅和西蒙娜来说意义深远。当比萨即将离世时，安东尼娅负责她的临终关怀。在乡下，他们发现一个社区正在等待比萨，准备为流浪的灵魂祈祷，以便他们能够继续前行。