当我丈夫出差时拥有我身体的已婚男人
奈奈穗，26艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。她的丈夫经常出差到国外，所以经常不在家。因此，经常独自一人的她穿着舒适的衣服在房子里走来走去，当她的邻居抓住她时，他们开始拜访她家并骚扰她。虽然一定很丢脸，但我却暗自期待，衣服也越来越大胆了。留下她，邻居们先互相去找，确认她的丈夫不在，然后才发生性关系。她就这样满足了自己的孤独，等待着自己的丈夫。
即刻观影
剧情赏析
编辑推荐
蓝丝绒
伊莎贝拉·罗西里尼,凯尔·麦克拉克丹尼斯·霍珀,劳拉·邓恩,霍普·兰格杰弗里（凯尔·麦克拉克伦 Kyle MacLachlan 饰）为了照料父亲而回到了久违的家乡小镇，哪知道在误打误撞之中令一场凶杀案件浮出水面，杰弗里就此结识了负责调查此案的警察威廉斯（乔治·迪克森 George Dickerson 饰），以及他的女儿桑迪（劳拉·邓恩 Laura Dern 饰）。桑迪告诉杰弗里，时间的真相或许和一个名叫多萝西（伊莎贝拉·罗西里尼 Isabella Rossellini 饰）的歌女有关。 美丽神秘的多萝西很快就令杰弗里失去了理智，他偷偷的潜入了多萝西家中，恰巧发现了多萝西正在被一个名为弗兰克（丹尼斯·霍珀 Dennis Hopper 饰）的黑帮大佬虐待的事实。此时的杰弗里才开始意识到，在自己的视线范围之外，发生着很多黑暗而又罪恶的可怕之事。
柔情挚我
薇姬·克里普斯,莫妮亚·乔柯里,维果·费雷拉-雷迪尔,安托万·赖纳茨,费奥多尔·阿特金,朴智敏,Manuel Vallade,奥拉利亚·佩蒂特,萨利夫·西塞,朱利安·德·圣·让,玛洛·赫比齐,安娜·西加勒维奇,Tallulah Cassavetti,安东尼·米切尔,乌姆尼亚·哈纳德她离开丈夫与儿子，也离开稳定的律师工作，在泳池、露天咖啡厅与私人公寓自在游走。以写作寄托生活，对儿子的爱未减半分，与丈夫也亲如挚友，直到那日，她向丈夫吐露与女性的亲密关系，完美生活旋即化为一场幻梦。在失去监护权后，她不得不在机构间穿梭，为了见儿子一面奋力一搏，却不知这样的困境，何时能走到尽头？
不过是上班
吴俊霆,李孝谦,安娜,周德华,合文俊,小爱,帕赛,孙天宇,李逗逗,李川,丁冠森,王艺禅,陈思斯一旦领导冒出一句“什么狗屁方案”，你的人生就将陷入无尽循环.....重复的职场里，有人摸鱼摆烂，有人趁机搞事，直到同事离奇 “消失”，他才发现循环背后藏着公司要命的秘密——想活下来，得先在重复的日子里找到出路……
屋中异蛛
艾莉拉·布朗 , 佩内洛普·米契尔 , 瑞安·柯尔 , 希薇娅·克洛卡 , 杰梅因·福勒 , 诺妮·哈泽赫斯 , 罗宾·奈文 , Tony J Black , 阿尔西拉·卡皮奥 , 丹尼·金 , 罗兰·福尔摩斯内详暂无简介
罗格河
米歇尔·佩吉,Art Alexakis,克里斯·科伊,迈克尔·库立兹,卢辛达·珍妮★《罗格河》：一位年轻的女性驾车沿着罗格河旅行，可是她的车子却神秘的消失了。失去了代步工具和通信，别无选择，她只得接受了一位陌生人的好意在他的小屋中过夜。可是这个选择却让她后悔终生。在接下来的时间里除了折磨还是折磨，难以描述的疼痛与令人恐怖的苦痛。如果你看过苦痛，你就什么都没看过。这部电影在其他恐怖电影结束之处开始，恐惧与作呕将萦绕观影者始终。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.