女人的秘密1

 克里斯丁（凯莉·谢里丹 Kelly Sheridan 配音）是一名芭蕾舞者，在严格的老师娜塔莎（塔比莎·杰曼 Tabitha St. Germain 配音）手下学习。同时在拜在娜塔莎门下的，还有另一个非常优秀的舞者塔拉（阿里·利伯特 Ali Liebert 配音）。娜塔莎非常喜欢塔拉，塔拉也因为得到了老师的喜爱和认可而沾沾自喜。娜塔莎希望克里斯丁能够像塔拉一样跳舞，但克里斯丁是一个非常有主见的女孩，总是违抗师命，这让娜塔莎觉得很不高兴。一天，克里斯丁在偶然之中得到了一双粉红色的芭蕾舞鞋，穿上了舞鞋的她和舞蹈团的裁缝海丽（凯蒂·克朗 Katie Crown 配音）一起被传送到了一个芭蕾舞的世界之中。

　　往日的承诺如今被当作债务来索要，塔里和卡达尔必须揭开母亲安贡的秘密在七天结束前拯救自己的性命。

性格孤僻的农科院研究员支宁（袁泉 饰），在爱情里四处碰壁。在一次文学讲座上，她对作家寇逸（耿乐 饰）一见钟情，从此陷入偏执爱情的她开始悄悄跟在寇逸身后……在偶然的契机下，支宁应寇逸之邀加入一场旅行。本以为是靠近心意的“爱情”之旅，却没料到途中变故接踵而至，逐渐成为了一场亡命之行。蹊跷的命案接连发生，所有人和事都在朝着完全失控的方向狂奔…… 　　以爱之名的潘多拉魔盒已然开启，当爱意被执念裹挟，人究竟会为了守住所谓的“爱”，突破多少不可逾越的边界？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.