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凌晨是神的时间
日南响子,飞鸟凛,藤本七海据日本警方统计，每年仅提交申请的失踪人口就达10万人，其中9万人的行踪可疑确认，但仍有1万人下落不明。位于远郊的一座深山丛林，似乎具有着强烈的魔性，无数人进入这里，从此消失无踪。少女茧（日南响子 饰）偶然和父亲目击一辆绑架了少女的车，父女俩一路追踪，走上了不归之途；家庭主妇真奈（桐島れいか 饰）十年前曾在林中丢失长女，如今他的小女儿阿樱离家上学后也一去不返；正在拍摄恐怖电影的新人女演员丽奈（飞鸟凛 饰）结束工作后，不得不穿越那座恐怖的森林，其中的景象与声音令她战栗不已；小女孩薰（藤本七海 饰）受托照顾邻家的孩子，可是她却遭遇了一个恐怖的人形。 不同的人，不同的故事，同样的恐怖……
挑战未来2：星云
Sue Price,查德·斯塔赫斯基,Sharon Bruneau亚历克斯失败后过去了73年，人类也失去了半机械人的战争。从那时起，人类就被奴役了。科学家们已经开发出一种新的DNA毒株，这可能标志着Cyborgs的终结，并将其注射到志愿者身上。当生化机器人了解到这个女人和婴儿时，他们都要终止。为了逃跑，她带着一艘偷来的半机械人的船，在1980年回到了东非，在那里，母亲被杀，但孩子得救了。这需要20年的时间，但半人半人的猎人星云最终找到了这个名叫亚历克斯的女孩，并及时赶回来终结她的生命。
绝命空间站
Julia Franz Richter,乔治·布莱顿,马克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
印度超人
佩丽冉卡·曹帕拉,赫里尼克·罗斯汉,纳萨鲁丁·沙延续了印度英雄罗希的故事：罗希得到外星人所赋予的超能力与智慧后，邂逅了一位美丽女子并生下儿子克里许那。然而因为一场交通意外，克里许那失去了双亲，和祖母相依为命。 当克里许那长大成人后，他发现自己除了从父亲身上遗传了俊俏脸庞外，竟同时拥有超能力，而这种力量将会改变他的一生。一次偶遇，克里许那爱上从新加坡来的少女琵莉亚，其后琵莉亚回国，克里许那伤心不已，祖母便建议他到新加坡去追寻自己的真爱。 一晚，克里许那与琵莉亚去欣赏一个马戏团表演，却发生了大火，堵住了所有的出口，把观众和马戏团团员都困在帐棚里。绝望的观众在火场中只能期待渺茫的奇迹。此时，克里许那马上化身为奇魔侠并发挥了他强大的力量，拯救了所有在场的人。 经此一役，克里许那领悟到他强大力量的背后，背负着保护大众的宿命，而这个宿命的最终任务，就是对抗邪恶博士，阻止他控制世界的骇人计划……
致命玩笑
海耶斯·麦克阿瑟,杰西卡·麦克娜美,基尔·奥唐纳一对兄弟姐妹在一家偏僻的汽车旅馆里度过了一个可怕的恶作剧之夜。
大熊
亚当·布罗迪,泰勒·莱伯恩,巴勃罗·施瑞博尔,托比·哈斯,乔伊·科恩,扎克里·奈顿,Heidi HeasletBIG BEAR is about Joe (Joey Kern) who reluctantly has his bachelor party even though his fiancé just dumped him for some Dude (recent Emmy nominated. Pablo Schreiber).
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.