软禁:深浅行动
互不相识的四位男女，受到仲.介的委托暗中调查事.艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。原本以为只是个简单的任务，却遭到某人的背叛而深陷危机。被追杀的四人，躲藏在乡下一间简陋的小屋中，在揪出叛徒的同时也逐渐陷入怀疑与猜忌，甚至出现.企.图.绑.架管.理人.女.儿等不可理喻的行动……
剧情简介
互不相识的四位男女，受到仲.介的委托暗中调查事.艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。原本以为只是个简单的任务，却遭到某人的背叛而深陷危机。被追杀的四人，躲藏在乡下一间简陋的小屋中，在揪出叛徒的同时也逐渐陷入怀疑与猜忌，甚至出现.企.图.绑.架管.理人.女.儿等不可理喻的行动……
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金玟锡,金彩恩,权雅凛,姜俊圭,金亚炫,赵宇丽老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式，信徒們依序祈願並獻上祭品。接著終於輪到詩京了，這時她才驚覺祭品竟然是身體的一個部位，這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事，當集滿身體所有部位時，血淋淋的恐懼就會覺醒！
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泰勒·派瑞,Bernardo Harris,Shekeb Sekander,Xica Brewer,本·斯威利,Patricia WilliamsMadea的哥哥Joe陪同他的孙子B.J.进行了一次大学公路旅行。
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乔尔·埃哲顿,埃利奥特·赫弗南,埃弗雷特·布伦克,凯奥·马丁,肯尼·罗斯牧森,卢卡斯·阿德勒,科尔顿·李,Kolton Lee故事围绕一名患有社交焦虑的十二岁少年展开。在男子水球夏令营的残酷社交法则中挣扎求生时，他那青春期特有的不安，随着夏日推移竟发酵成一场撕裂灵魂的心理酷刑。
单独之恋
凯文·詹姆斯,乔纳森·鲁米,金·寇兹,艾莉森·汉尼根,朱莉·安·埃默里,妮可·吉玛多,茱莉·塞尔达,朱莉娅·梅西娜Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.
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路易·德·菲奈斯,米歇尔·加拉布吕,莫里斯里什,朗贝尔·维尔森圣·特鲁佩斯城来了一些外星人。他们进而化装成平民。时而冒充警察了解人类的生活。当地警察负责搜捕。但外星人变化无穷，神秘莫测，层出不穷的误会和笑话把警察们搞得狼狈不堪。在一次交锋中，警察意外发现外星人怕水，于是，巧使计谋，使用水攻……
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
第六日
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