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让·雷诺,迈克尔·扬,Raphaëlle Agogué,朱利安·波义塞利尔,莎乐梅·斯蒂文宁,Serge Larivière后座
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多里安·波古策,德拉戈什·布库尔,亚历山德鲁-维克多·内姆特亚努,诺拉·库普辛库,安迪·瓦斯卢亚努,尤安娜·弗洛伦蒂娜·迪米特流,米尔卡·巴努,伊莱亚斯·费金,艾丽莎·卡林,伊琳娜·诺阿特斯,亚历山德鲁·帕帕多波尔,谢尔班·帕夫卢深渊未远
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安志杰,伍允龙,洪浚嘉,克拉雅,张建声,何慈茵,王东,朱云儿,易宇航阿嬷的审判
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詹姆斯·惠特摩,埃德蒙·戈温,詹姆斯·阿尼斯,琼·韦尔登三毛从军记1992
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绫音的高踢腿
宫村优子,川村万梨阿,西原久美子,大塚明夫,山口胜平女子キックボクシングを題材としたスポ根アニメ。プロレスラーを志望していた三井綾音がキックボクシングで活躍していく姿を描く。女子プロレスラーの豊田真奈美や前川久美子なども実名で登場している。当初は全4巻の予定であったが、諸般の事情により2巻で打ち切りとなり、未完で終わった。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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来自河北廊坊的说唱少年，王笑，因一次意外打架事件背负巨额欠款。王笑母亲在不明真相的情况下替王笑支付了该笔欠款，王笑知道后和母亲大吵一架并且决定前往北京打工还债。来到北京之后王笑接连租房受骗，感情受挫，说唱事业也无法继续发展，而且再次欠下巨额欠款。王笑该如何面对这一切？