艾曼妞与最后的食人族
艾曼纽靠为报社提供新闻照片谋生，在医院里见到食人族女孩后，她决定深入亚马逊丛林。她找到了莱斯特教授，并一起来到亚马逊，借宿莱斯特好友威尔克斯家。次日，艾曼纽和莱斯特带着威尔克斯的女儿伊莎贝拉等人出发。进入丛林后，他们邂逅了“猎人”唐纳德和玛姬夫妇，遂开始一起行动。但很快，他们就遭到了食人族的袭击……这部意大利在1970年代出品的冒险恐怖片，改编自詹妮弗·奥苏利文报道的真实故事，更是一部相当彻底的Cult片。用一句话来形容本片，就是“什么都没有，只有血腥和情欲”，所以，心脏不佳或不好这口的人，千万别看它。影片开场20分钟是预热，但也极其火爆，上来就是一幕护士被抓掉胸部的残酷镜头，随后的男女、女女激情镜头也比比皆是。进入丛林之后，除了情欲画面丝毫不减外，残酷的血腥镜头大量增加，虽然从效果看，老电影制造粗糙的毛病不难看出，但依然还是很有视觉冲击力，让喜爱的观众看得大呼过瘾。
即刻观影
剧情赏析
编辑推荐
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地下角斗士
戴拉·绍,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
驱魔龙族马小玲
黄宗泽,吴千语,蔡洁,吕良伟,刘心悠,廖子妤,黄文慧,朱栢康,吴启洋,黄梓乐,万绮雯,苏丽珊,郭柏妍驱魔龙族马氏家族传人马小玲（吴千语 饰），肩负着除邪惩恶的家族使命。而二流侦探况天佑（黄宗泽 饰），则凭借奇特能力屡破奇案。但实际上他一直在掩饰着不死不灭疯狂噬血的“血族”身份，本来相安无事的日子，被一道“暗影”打破，两人在调查一起暗影袭击的事件中相遇，出生入死的瞬间，百年恩怨所结下的宿命之锁，似乎已悄然解开……
执法交叉点
Manish Chaudhari,拉塞卡·杜加尔,Saurabh Dwivedi,萨基尔·侯赛因,赛义夫·阿里·汗,桑杰·米什拉赛义夫·阿里·汗（Saif Ali Khan）将饰演一名警察，他分享了自己的兴奋之情：“由沙·鲁克（Shah Rukh）的公司红辣椒娱乐公司（Red Chillies Entertainment）制作的《卡塔维亚》（Kartavya）真的很棒，很快就会上映。这是导演普尔基特（Pulkit）的一部可爱的作品，很高兴也能在网飞（Netflix）上上映。”这部电影还邀请了包括Rasika Duggal、Sanjay Mishra、Saurabh Dwivedi、Zakir Hussain在内的演员阵容，和Manish Chaudhari。Kartavya团队分享道：“《Kartavya》标志着红辣椒娱乐公司、网飞和导演Pulkit继《Bhakshak》之后的第二次合作。作为一个团队，我们致力于讲述突破创意界限并产生深刻共鸣的故事，而《Kartavy》有力地反映了这一愿景。这部电影以中心地带为背景，探索了法律、家庭、真相和责任的复杂交叉点，赛义夫在道德层面的角色中展现了非凡的深度和强度。我们很高兴能与网飞合作，并期待世界各地的观众体验这种扣人心弦的叙事。”红辣椒娱乐在其不断增长的内容中又增加了一个标题。为全球观众打造，这与Netflix向全球观众展示强大的印度故事的愿景相一致。
浴血蒋家河口
任帅,关亚军,曹楠,计美臣蒋家河口战役打响了新四军抗战的第一枪，也是新四军挺进敌后打伏击的第一仗。此役以少克众，以弱胜强，孤军深入，出奇制胜，给了嚣张跋扈、不可一世的日本侵略者一个结结实实的下马威，极大地鼓舞了中国军民的抗战斗
伪术奇才
彼得洛·卡斯特里图,朱莉娅·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,爱德华多·佩谢,克劳迪奥·桑塔玛利亚,奥罗拉·乔维纳佐,法比齐奥·费拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亚,Michael Schermi,Carlo TozziA noir portrait of Italy in the Seventies.