来自天堂的礼物

评分:1.0 播放:73万 更新:2026-05-26

艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuanA colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ... (展开全部)   A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).

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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

国宝2025

吉泽亮,横滨流星,渡边谦,高畑充希,寺岛忍,田中泯,森七菜,见上爱,永濑正敏,黑川想矢,三浦贵大

本片改编自吉田为了采访3年,穿着歌舞伎的黑衣进入后台的经验而写出的长篇小说,出生于任侠一门、投身于歌舞伎世界、将青春献给演艺之路的喜久雄,赌上自己的生命去追求无尽的梦想的宏伟故事:舞台是从战后到高度经济成长期的日本。出生于任侠家族的喜久雄,遭遇了数奇的命运,被拽到歌舞伎演员的家中。不久后,在动荡的人生中,他作为歌舞伎演员的才能开花结果。

三十九级台阶

罗伯特·多纳特,玛德琳·卡洛,露西·曼海姆,戈弗雷·特尔,佩吉·阿什克罗福特,约翰·劳里,海伦哈耶,怀利·沃森,格斯·麦克诺顿,查尔斯·贝内特,马修·博尔顿,阿尔弗雷德·希区柯克,迈尔斯·马勒森,弗雷德里克·派珀,约翰·特恩布尔,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.

  音乐厅中传来枪声,观众们一片惊慌。一位外国女子(露西•曼娜海姆饰)询问理查德•汉内(罗伯特•多纳特饰)是否可以在他家中过夜。次日该女子在被杀之前告诉理查德必须阻止间谍组织“三十九级台阶”将国家机密偷偷送出英国。汉内为了证明自己并不是杀人凶手无奈前往苏格兰高地寻找线索,在火车上他寻求一位叫做帕梅拉(玛德琳•卡罗尔饰)的金发年轻女子帮助,但她却马上向警察告发了他。他找到了“三十九级台阶”的领导人乔丹教授,但随即被陷害入狱。侥幸逃脱后又由于帕梅拉的告发被两位伪装成便衣警察的人带走,并且他们还把帕梅拉和他铐在了一起。于是两人携手逃脱了出来并取得了互相的信任,然后他们再次回到音乐厅,汉内看到了上次就见过的表演。他向号称可以回答任何问题的“记忆先生”(怀特•沃森饰)提问:“什么是三十九级台阶“,于是……  希区柯克曾说“记忆先生“是他最喜欢的角色之一,这个角色建立在一个名叫达塔斯的真人基础上,他自己小时候在伦敦看过他的表演。

马拉加街夕阳红

卡门·毛拉,玛尔塔·埃图拉,艾哈迈德·布拉内,玛利亚·阿尔方萨·罗索,米格尔·加尔塞斯,拉·伊门

79岁的西班牙女子玛丽亚·安赫莱斯独自生活在摩洛哥的丹吉尔,享受着自己的日常生活。然而,当她女儿从马德里赶来,想要卖掉她一直居住的公寓时,她的生活彻底被打乱了。决心留下来的她,竭尽所能想要夺回自己的家与财物,却意外重拾了爱情与感官的愉悦。